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aul Rudd isn't just one of the nicest, hardest-working men in Hollywood.

Whether he’s trolling chat show hosts or being slightly aroused by his own dancing, Rudd is a meme-generator par excellence.

The foul-mouthed, rude R-rated farce featured Cameron Diaz as cynical, venal, and greedy Elizabeth Halsey (a bitchy caricature of herself) - a vulgar 7th grade middle-school "bad teacher" in the Chicago area (at John Adams Middle School).

Faith was sitting on the veranda and reading a newspaper.

Kudrow perfectly played the desperation of the ordeal with just enough daffiness so as to not make her Valerie Cherish come off too sad or pathetic, allowing her indignity to come off as both painfully awkward and positively hilarious.

Perhaps the show would have survived if it premiered in a post-, a Matthew Le Blanc with more obtuse hubris and diva tendencies than the actor allegedly has in real life. Bill Lawrence () has created the rare modern sitcom that is sharply and punchily written, but with real heart instead of cynicism and sarcasm.

And Jennifer Aniston's turn as the roommate-turned-one-stand-from-hell, a brittle and broken femme fatale, makes me wish the actress would kiss her roller-coaster film career goodbye and return to TV in a new sitcom. have beat the dead horse to a pathetic pulp: The show is not, and has not been since its first handful of episodes, about a middle-aged woman on the prowl for younger male lovers. The show, which stars Lisa Kudrow as a psychotherapist who has the not-so-brilliant idea to conduct therapy over web cams on the Internet in three-minute intervals, consists mostly of improved two-person scenes, setting the stage for a master class of comedy.

What it's evolved into is essentially a variation of , a series in which the main conceit of a given episode is friends hanging out. Kudrow's therapist Fiona is self-obsessed, slightly delusional, exceedingly insecure, and a fascinating mix of vulnerable and combative.

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